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It's about the monolithic power of leaders who hypnotize you to do things you don't want to do. I almost spat up my morning tea when I read a comment by A Serbian Film director Srdjan Spasojevic on how the film was a political allegory, stating: "This is a diary of our own molestation by the Serbian government. Now and then news concerning A Serbian Film would appear on my favourite sites. Let some other bastard revisit that experience. When the end credits rolled and I noticed my notepad was without thoughts or musings on what I just saw, I decided then and there not to review the film out of shock and pure principal.
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I found myself watching the film bit by bit, turning it off in disgust and then goading myself with the mantra of “professional criticism” to continue. Even with an R rating (it was available on DVD for 3 weeks before being banned), this was a film where its sadistic violence and sexual depravity knew know bounds. To say A Serbian Film went beyond that belief is an understatement. Yet I reassured myself that at the most A Serbian Film will be no more grotesque than the torture porn of Saw and Hostel (both which I’ve seen). Looking further into the background of the film, I found out that it had developed a reputation as a hard-core piece of repugnant exploitation that even shocked the most seasoned of horror fan. As a child of Croatian parents, anything “Balkan” related to find its way on my wavelength usually means I’ll give it a watch. The film first piqued my interest with its simplistic yet mysterious title. My experience with A Serbian Film is one which I will never forget: a mind searing, soul crushing moment that had me at a loss at how anyone could make (let alone enjoy) such depraved violence. Exactly why the ACRB decided to reverse its original decision and allow A Serbian Film an R-rating is beyond me. The recent decision by the Australian Classification Review Board to ban the sicko horror flick A Serbian Film was a decisive and welcome one.